This spring, the Joel and Lila Harnett Museum is showcasing three new exhibitions, including a newly commissioned installation by sculptor Abigail DeVille.
The 2025–2026 Tucker-Boatwright Festival of Literature & the Arts dissects and expands the idea of Reconstruction to highlight the complex relationship to ongoing cultural movements and revolutions that we study, experience, and manifest through the visual arts. Reconstruction considers the many social, environmental, and political crises that we are experiencing today and encourages us to look back at the histories that frame the urgent questions of our present for answers regarding our future.
The Department of Art & Art History, in partnership with The Harnett Museum, has invited two world-renowned artists to campus, Cauleen Smith and Abigail DeVille, to interpret this theme through two new immersive installations that engage with local histories to create a space for community dialogue.
“The series is an annual program that showcases some of the most creative, challenging, thoughtful and visionary artists working in film and video today. The mission is to show media that resists conventions and ideologies of mainstream media and explores creative, innovative approaches to narrative.”
— Jeremy Drummond, associate professor of art
The art history program at the University of Richmond offers students the chance to explore the historical, social, and philosophical contexts of art, with courses covering both Western and non-Western traditions, as well as museum studies. Students are encouraged to study abroad, gaining firsthand experience with the cultures behind the art they study, while also developing a broader understanding of how different societies value art. A distinctive feature of the program is the opportunity to work on University Museums-sponsored exhibitions and complete a year-long senior thesis, culminating in a public presentation at the annual A&S Student Symposium.
Graduates of the program have gone on to diverse careers, from academia and museum work to positions in non-profit art organizations, auction houses, and galleries. Some have used their cross-cultural skills in roles with organizations like the Peace Corps, while others have pursued advanced degrees in fields such as international relations or law, demonstrating the versatility of the critical thinking skills gained through the study of art history.
The visual and media arts practice program at the University of Richmond educates both majors and non-majors on the significance of creative practice in contemporary and historical contexts. Through interdisciplinary approaches to traditional and modern media, the program fosters students’ creative and critical development.
Foundation courses and art history surveys prepare students for deeper engagement with various media, leading to individualized projects at higher levels. The capstone sequence, including the Interdisciplinary Arts Seminar, Advanced Studio Seminar, and Senior Thesis Exhibition, challenges students to develop and present a body of work for the Thesis Exhibition. Along the way, they gain valuable skills in documenting their work, writing artists’ statements, applying for grants, building professional resumes, and networking within the art world.
Renovated and expanded in 2018 and 2019, the Department of Art & Art History has one of the best-equipped spaces in the country for a University and program of its size. The area spaces for drawing, painting, printmaking, sculpture, photography, film, sound, video, and animation are state of the art, as is the new art history seminar room and auditorium. Combined with the facilities of the University Museums, the department provides a fantastic environment for education in the visual arts.
The Visual Resource Center offers guidance on image searching, copyright, and usage, alongside access to global image collections, art-related news, reference books, and a DVD collection. Students also have access to ARTstor, a vast image database with over a million images, including 15,000 locally digitized collections, accessible both on and off-campus for study and presentations.
Associate Professor of Art, Jeremy Drummond’s latest film Monument was presented at the Dresdner Schmalfilmtage, and listed as an Official Selection at the Anticensura Film Festival, Fargo Film Festival, Ethnografilm Paris, and the Arquiteturas Film Festival. The film won the First Place Award and the Kathryn Stephens Virginia Filmmaker Award at the James River Film Society's 32nd Short Film Showcase at the Virginia Museum of Fine Arts, where it was an Official Selection. See the full list of screenings.
Agnieszka Szymańska, associate professor of art history, published "Slaying the Embodiment of Lust: A Painting of a Martyr-Monk Vanquishing a Female Demon" in the Journal of Early Christian Studies.
Jeremy Drummond, associate professor of art, presented his latest film, Monument, at the Mykonos Biennale and 37th Girona Film Festival and as an Official Selection at CineSalon Experimental Film Festival, Centre Film Festival 2025 and RPM25/Revolutions Per Minute Film Festival, where it won the Best of RPM 25 Film Award. Drummond presented the film at XV ENCUENTRO PARA CINÉFAGOS and UFF - Underground Film Festival, where it won Best Video Art Award at both festivals. Drummond received the First Place Award in Classic Experimental Film at the Denver Underground Film Festival. See the full list of screenings.
Megan Driscoll, assistant professor of art history, was named a University of Richmond Center for Liberal Arts and AI (CLAAI) 2025-2026 Fellow.
Mailing Address:
Department of Art and Art History
451 Keller Road
University of Richmond, VA 23173
Phone: (804) 289-8272
Department Co-Chair: Dr.Elena Calvillo
Department Co-Chair: Brittany Nelson
Academic Administrative Specialist: Miriam Blackmon